— Dane Creek

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Canon 5D Mark II, 70-200 f/2.8 IS II. 200mm, ISO 100, 1/200 sec. @ f/4.5.

We were driving down a back road somewhere around Colfax, WA, when I saw a hill. I can’t remember if we were driving at the time, or if we’d stopped to shoot some of the fields, but it didn’t matter. As soon as I saw the hill I smiled and took a picture.

What’s so special about the hill? Well, it reminded me of this shot from the Lemaire Channel in Antacrtica that I took in January 2009:

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Canon 5D Mark II, 70-200 f/2.8 IS. 95mm, ISO 400, 1/500 sec. @ f/7.1.

I’m not quite sure what it is about that shape but I see it everywhere. In fact, I shot a third copy of it while we were in the air flying over Steptoe Butte. I just didn’t realize it until I was back in the motel room doing image review.

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Canon 5D Mark II, 70-200 f/2.8 IS II. 95mm, ISO 125, 1/500 sec. @ f/2.8.

Perhaps I should print all three of them and hang them on a wall together!

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Canon 5D Mark II, 70-200 2.8 IS II @ 200mm. ISO 100, 0.8 sec. @ f/32.

Whenever I go on a photo trip I find it takes me a decent period of time to get into the groove of shooting. This is especially true when it’s been a while since I picked up the camera.

Lately I’ve been trying to jumpstart the creative process by literally messing around with the camera early in the trip. The photos I take are never meant to be anything special. I’m just shooting to try and get my head back into photography.

On the trip to Eastern Washington this weekend we stopped at Denny Creek. David, Teresa, and I did some long exposure handheld shooting. It was all about coming up with interesting patterns and textures. No stress about getting perfect composition in camera. No worries about nailing the exposure. Just carefree shooting for the fun of it.

The whole trip to Eastern Washington was hugely successful (as you’ll see in a series of upcoming blog entries). I like to think it was because we stopped for some mindless fun at a creek.

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This Friday I’m headed to the Palouse region of Eastern Washington to take some photos of fields. I’m very excited and incredibly apprehensive.

I’m excited because I grew up in central Canada, where there are plenty of wheat, Canola, and flax fields around. I have a fondness in my heart for wide, flat, images, and really miss some of the summer sunsets from back home. Unfortunately I moved away long before I developed a serious interest in photography, so my field shots have generally been limited to winter trips for the hoildays. The Palouse region will finally give me a chance to do some serious farm photography.

I’m apprehensive because the region is a destination for photographers and everyone comes back with the same kind of shot. As I mentioned in an earlier blog entry, it’s easy to come back with tulip shots from this part of the state. I’m terrified that I’m going to arrive, take a bunch of really pretty shots, but have none that stand out from the pack.

What am I going to do about it?

Well, for starters, I’m trying to convince myself that I get like this before every trip and that I’m bound to come back with one special image.

I’m also making a focused effort to avoid the cliche shots of rolling fields. I’m going flying with a private pilot to try and get some aerial shots for variation. I’m going to try some extreeeeeemly wide and thin panoramas. And I’ll likely do a lot of black and white work.

We’ll see what happens!

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Canon 5D Mark II, Canon 70-200 2.8 IS + 1.4x extender @ 125mm. ISO 100, 1/500 sec @ f/5.6.

The above shot is from my trip to Antarctica back in January of 2009. I never planned to shoot much wildlife when I was there, and the shots I did take of penguins were halfhearted attempts just so I had a few to show people when I got back.

When we were on Petermann Island I forced myself to take a few minutes to photograph penguins. At one spot I noticed a curving glacier in the background with penguins and rocks in the foreground. I shot a few photos, and then back on the boat found the above image. I was thrilled. Between the glacier, the rocks, and the cute little penguins, I thought I had a spectacular image.

Then I showed it to Seth Resnick. His immediate comment? “Why the %(*! is that penguin sleeping?”

Sigh.

He’s right, and he taught me a valuable lesson. When you come upon an interesting composition it’s useful to just sit and wait for a while. Just because it looks nice now doesn’t mean that’s the most awesome you can capture at that location. If I had waited another 5 minutes there was a good chance the sleeping penguin would have woken up and reached his beak to the sky. Then I would have had an awesome photograph.

This doesn’t just apply to animals, by the way. If you are shooting landscapes pay close attention to the clouds. Very often a 10-15 minute wait means the difference between clouds that are just there vs. clouds that add awesome movement and energy to the image.

The lesson has stuck with me over the last year. It’s a tough one for me to apply, since my natural inclination is to “go go go” and not really stop and take in the overall scene. I’m getting better at it though!

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Canon 5D Mark II, Canon 14mm f/2.8L. ISO 400, 1/80 sec @ f/4.0.

It rained a lot this weekend. With the help of terrific weather reports from Weather Underground we made the most of it. Careful timing meant that we were on beaches exposed to the elements when the weather was (somewhat) drier. For the heavier periods of rain we retreated to the cover the forests around the coast.

The Hoh Rainforest is a very popular area for tourists to visit, but a very difficult place to photograph well. The forest floor is incredibly messy and finding shots that aren’t just a jumble of garbage is tough. It’s even harder when you decide in the parking lot to only take along a 14mm lens!

The vine maple above is the one worthwhile image from my trip in the rainforest. But man, what an image. I was grinning like a fool when I saw it on-screen, as I immediately knew it would be come B&W. But what kind? B&W images, at least when printed, are never truly black and white. The paper selection will add a warmth or coolness to the image, and the toning options are limitless.

My first pass at printing the image is much like you see above. A slight bronze tone to the highlights, with the shadows left as black. I printed on the new Red River Polar Pearl Metallic, Epson Exhibition Fiber, and Ilford Galerie Gold Fibre Silk to which I preferred, and the Ilford GFS was the clear winner. The Metallic was wicked cool, but just not right for the image, and the EEF wasn’t quite warm enough.

There’s more to come though. At some point I will print this as a digital negative and do a lith print of it to see what happens. David has also invited me to come over to his place to do a platinum/palladium print as well. I can’t wait!

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Keyboard box camera, magnifying glass lens, textured plexiglass “ground glass”. ISO 500, 1/100 sec.

As part of the long weekend I’m back on the Washington Coast, hoping to finish a series of photos from Second Beach, WA. At the moment the weather is not so promising: lots and lots of rain today. Outlook for tomorrow and Sunday is slightly better, which hopefully translates into some decent shooting opportunities.

On the drive over to the coast I took my new Canon S90 for a spin, but in a somewhat unconventional way. David brought along a keyboard box with a piece of textured plexi and a magnifying glass lens. I stuck the camera into the box and started shooting.

This is going to be a very, very, fun trip.

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Canon 5D Mark II, Lensbaby Composer with Zone Plate. ISO 800, 1/125 sec. @ f/19.

From a photographic experience the trip back to Manitoba was largely a non-event. As I’m sure many of you can relate, often times hanging out with family takes precedence over photography. Such was the case with this trip :)

I did manage to take a whole bunch of photos of new birds, but none of them were really interesting from a photographic perspective.

About the only “real” photographs I took were six quick shots from the Halfway Tree. What is the Halfway Tree? Well, it’s the tree that’s halfway between Brandon and Winnipeg on the Trans-Canada Highway. Anyone who ever grew up in Brandon knows the tree.

Is the photo spectacular? Nah. Does it have sentimental value? Yes, definitely. Sometimes those are the most fun photos to shoot.

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We’re heading out of town to Manitoba, Canada, for a much needed bit of relaxation. It’ll be an interesting trip as we haven’t been there in the spring for many, many, years. Not having to pack a winter coat and boots is a very nice change!

It will also be interesting to do some photography without snow on the ground. For the last several years all of my shots from this part of Canada consist of wide expanses of snow, roads, and the occasional shelter belt. Don’t get me wrong, I love the flat, but it’ll be fun to see what I can capture without snow, and yet before the fields are fully up.

Orders for folio covers can still be placed, but will not ship until Wednesday, May 26th.

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David, Vlad, and newcomer Teresa are headed to the Washington Coast on Memorial Day weekend. I’m really excited to head back there to try and complete my series of images for a new folio. Prior to the trip I’m planning on taking some ideas from the John Paul Caponigro workshop I attended to really think through the types of images I need to complete a full story.

I’m aiming for a folio of 7 images, and right now have 19 to pick from. That may sound like a lot, but honestly because they wre just random shots on the beach it’s tough to find 7 that work as a story. I have a lot of variations of essentially the same shot in that 19. I’m hoping that by pre-planning and even sketching out what I’m after will help. It will be weird: I’ve never pre-sketched images before.

Have you ever done pre-visualization through sketching before a shoot? What was the result?

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Canon 5D Mark II, Lensbaby Composer, zone plate optic. ISO 100, 1/15 sec @ f/19. 

My apologies for the lack of posts from Death Valley, but the Internet is both flakey and I’ve been incredibly busy. If we’re not waking up at some ghastly time (4am yesterday, 4:30am today), we’re either shooting, reviewing, or eating.

Yesterday was a tough day for me personally. I just didn’t feel the vibe in the morning (Zabriski Point) and our afternoon location was sand dunes. Having shot White Sands National Monument in the past it was hard to get excited about more sand. I did try to make the best of it though by going for shots that were different than undulating dunes with ripples. You’ll have to wait until later blog entries to see what I came up with, but I was pleasantly surprised and the feedback from others was positive (far more so than the crap I shot at Zabriski Point).

This morning we shot Badwater. It was awesome. 4:30am was, in hindsight, half an hour too late to get up, but I managed to get a spectacular shot of sunrise. Again, you’ll have to wait for a later blog entry for details!

For sunset today we shot Artist’s Palette. I didn’t get it. Some people were super excited, but to me it was more sharp hills with some colour. It will be interesting to see what people came up with, because I only shot 63 frames and I’m pretty sure they’re all junk.

My big success today was with the Lensbaby (photo above). For the first time I knew what I wanted the outcome to be, knew what Lensbaby widget would do it, and knew what it would look like when it was done… before I took the photo. That’s the first time I’ve managed to do that with the Lensbaby, instead of just shooting around and hoping something works.

What I like most about the image is it takes a very stark and barren place and brings a touch of colour and fun to it. I was apprehensive about including the photo in the review over lunch today, but figured I’d spice things up. I’m glad I did, as the image was very well received.

That’s all from Death Valley for now. Time soon for dinner and then sleep.

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